Guwahati: The vibrant celebrations of Rongali Bihu, the most cherished festival of Assamese people, have once again filled the state with joy and enthusiasm. From Goru Bihu to Manuh Bihu on the first day of Bohag, every phase reflects a beautiful blend of tradition, culture, and harmony. The beats of dhol and pepa, Bihu songs and dances by husori groups, traditional feasts in households, and the exchange of bihuwan have made the atmosphere across Assam truly festive. Yet, amid all this joy, a sense of incompleteness is being felt this year.
This feeling largely stems from the absence of beloved singer Zubeen Garg. For many, “Zubeen means Bohag, and Bohag means Zubeen.” For years, his presence on Bihu stages added a unique charm to the celebrations. Lakhs of fans would sing and dance to his songs, and Bihu nights often meant his live performances that continued till dawn. This year, however, that familiar energy seems missing—along with the collective chorus of songs like “Bohag Madhumoy.”
Although Bihu functions and stage performances are being held across the state, the same level of excitement and frenzy appears somewhat subdued. From Guwahati to Jorhat, Sivasagar, Tezpur, and Dhubri, cultural programs, competitions, and performances are taking place, yet a visible sense of absence lingers among audiences.
Despite this, the people of Assam have not let go of their traditions. Rituals like bathing and worshipping cattle on Goru Bihu, and seeking blessings from elders on Manuh Bihu, are being observed with full devotion. Traditional food items such as chira, curd, jaggery, pitha, laru, and akhoi are being prepared in every household, bringing families together in moments of warmth and unity.
On the first day of Bohag, people begin the new year by wearing fresh clothes after an early morning bath. The exchange of bihuwan symbolizes love, respect, and goodwill, while younger members of families visit elders to seek blessings—strengthening social bonds and cultural values.
Temples and namghars have witnessed large gatherings since morning, with people offering prayers for peace, prosperity, and happiness in the new year. Husori groups visiting homes and performing songs and dances have further enriched the festive spirit, spreading messages of unity and community bonding.
Even though adverse weather has disrupted some events in certain areas, the enthusiasm of the people remains undiminished. However, many believe that more than the weather, it is the absence of Zubeen Garg that has created a noticeable void in this year’s celebrations.
For many, Zubeen Garg is not just an artist but a living symbol of Assamese culture. His songs, voice, and presence elevated Bihu to a different level altogether. That is why, despite the widespread celebrations, this year’s Rongali Bihu feels slightly incomplete.
In conclusion, despite certain challenges and a sense of longing, the people of Assam have celebrated Bohag Bihu with full spirit and devotion. The rhythms of dhol and pepa, the grace of Bihu dance, the taste of traditional delicacies, and the smiles on people’s faces once again reaffirm that Bihu is the soul and identity of Assam.
